Between Two Silences: Talking with Peter Brook

(Hardback)

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In this volume, distinguished director Peter Brook provides candid answers to questions on his work and philosophy. Topics covered range from his innovative, award-winning production of "Marat/Sade" and his film and stage version of "King Lear", to his nine-hour production of the Indian epic "The Mahabharata". With passion and clarity, he discusses acting, directing, auditions, film versus theatre, his responses to the work other theatre figures such as Antonin Artaud and Jerzy Grotowski, and the multiculturalism which characterizes much of his later work.

Author Bio

Peter Brook (1925-2022) was a British theatre director, noted for his strikingly original productions. The child of Russian emigrs, Brook made his debut at the age of 18 with a production of Marlowe's Dr Faustus. In 1945 Brook was invited to direct Paul Scofield in King John at the Birmingham Repertory Theatre, following this with a celebrated production of Love's Labours Lost (1946) at Stratford-upon-Avon (again with Scofield). Further successes included Anouilh's Ring Round the Moon (1950), Otway's Venice Preserv'd (1953), Hamlet (1955), The Power and the Glory (1956), and The Family Reunion (1956). Brook was made a codirector of the newly formed Royal Shakespeare Company in 1962, directing later that year a highly acclaimed production of King Lear (with Scofield once again). Other successes with the RSC included Peter Weiss's Marat/Sade (1964), Seneca's Oedipus (1968), and a famous production of A Midsummer Night's Dream (1970), featuring an all-white set and the use of circus skills. In 1970 Brook founded, with Jean-Louis Barrault, the International Centre for Theatre Research, a company of international performers with whom he toured extensively. Since 1974 the Centre has been based at the Bouffes du Nord in Paris. Brook's subsequent productions have included a nine-hour adaptation of the Indian epic The Mahabharata (1985), a pared down version of Carmen (1989), and Qui est la (1995), a reworking of Hamlet. In 2004 Brook presented Tierno Bokar, a meditation on the life and teachings of the title character, a Sufi mystic in French colonial Africa.