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Directing Scenes and Senses: The Thinking of Regie

(Hardback)

Available Formats


Publishing Details

Full Title:

Directing Scenes and Senses: The Thinking of Regie

Contributors:

By (Author) Peter Boenisch

ISBN:

9780719097195

Publisher:

Manchester University Press

Imprint:

Manchester University Press

Publication Date:

4th August 2015

Country:

United Kingdom

Classifications

Readership:

General

Main Subject:
Dewey:

792.0233

Physical Properties

Physical Format:

Hardback

Number of Pages:

224

Dimensions:

Width 156mm, Height 234mm

Description

As European theatre directors become a familiar presence on international stages and a new generation of theatre makers absorbs their impulses, this study develops fresh perspectives on Regie, the Continental European tradition of staging playtexts. Leaving behind unhelpful cliches that pit, above all, the director against the playwright, Peter M. Boenisch stages playful encounters between Continental theatre and Continental philosophy. The contemporary Regie work of Thomas Ostermeier, Frank Castorf, Ivo van Hove, Guy Cassiers, tg STAN, and others, here meets the works of Friedrich Schiller and Leopold Jessner, Hegelian speculative dialectics, and the critical philosophy of Jacques Ranciere and Slavoj Zizek in order to explore the thinking of Regie - how to think Regie, and how Regie thinks. -- .

Reviews

'We all have difficulty understanding the differences between directing, staging, devising, performing, or between performance and mise en scne. Peter Boenischs new book on Regie discusses how contemporary theatre-makers engage with plays, materials or events that they want to 'put on stage'. As theatre-goers are themselves more and more expected to 'stage' their own impressions and insights, this is a most timely and necessary book for anyone interested in contemporary European theatre.'
Patrice Pavis, Professor of Theatre Studies at the University of Kent

-- .

Author Bio

Peter M. Boenisch is Co-Director of the European Theatre Research Network (ETRN) and a Fellow of the International Research Centre 'Interweaving Performance Cultures'

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