Holocaust Memory and Youth Performance

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Description

Through an examination of childrens and youth plays and performances about the Holocaust from Germany, Israel, and the United States, this book offers an entirely new way of looking at the vital role of youth performance in coping with the legacy of historical tragedy.

As the first book-length critical examination of this subject, Holocaust Memory and Youth Performance considers plays that are produced by major theatre companies alongside performances written by young authors and pieces taken from the diaries and memoirs of those who experienced the Holocaust as children or adolescents. While youth-focused plays about the Holocaust have been in the repertories of top professional companies throughout the world for decades and continue to be performed in theatres, schools, and community centers, they are often neglected in concentrated and comparative studies of Holocaust theatre.

Erika Hughes fills this gap by examining plays (including The Diary of Anne Frank and Ab heure heit Du Sara), musicals, performances, scripts, a rock concert, a performance on Instagram, and pedagogically-focused works of applied theatre a diverse collection of performances for young audiences that tell the stories of young people who experienced the Holocaust. Adopting Hannah Arendts notion of natality as a powerful framework, this study examines the ways in which youth-theatre performances make a vital contribution to intergenerational witnessing and the collective memory of the Holocaust.

Reviews

In this meticulously researched investigation of theatrical representations of the Holocaust for young people Erika Hughes deftly demonstrates the inherently political nature of performance and investigates the ways in which cultures shape how such works are created, performed and received. * Matt Omasta, Professor and Chair, Department of Theatre, Miami University, USA *
Hughes nuanced account of Holocaust theatre for young audiences tells an original and surprising story about how theatre makers around the world nd ways to depict the Shoah in an authentic and meaningful way. * Anna Hjkov, Reader in Modern European Continental History and Director of the Warwick Centre for Global Jewish Studies at the University of Warwick, UK *

Author Bio

Erika Hughes is Academic Lead, Performance in the School of Art, Design and Performance at the University of Portsmouth, UK.