Jingju - Beijing/Peking Opera: History, Practice, and Aesthetics
By (Author) Xing Fan
Series edited by Simon Shepherd
Bloomsbury Publishing PLC
Methuen Drama
11th December 2025
United Kingdom
Tertiary Education
Non Fiction
Opera
Hardback
176
Width 129mm, Height 198mm
This is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history.
It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritage of Humanity.
This book traces jingjus history through three lenses. First, it introduces the stage
practices that shape a jingju production including the use of music, acting style, visual components and staging, and dramatic narrative and details for the reader the practitioners experience during the developmental creative process, in rehearsals and behind the curtain. Second, it illustrates jingjus development with close analyses of case studies, and sheds light on the process of jingjus transformation into its contemporary form. Thirdly, it defines and interprets jingju aesthetics notion of the beautiful and how this sense of beauty is communicated through stylization.
Xing Fan is Associate Professor of Asian Theatre and Performance Studies in the Centre for Drama, Theatre, and Performance Studies at the University of Toronto, Canada. A specialist in Chinese drama, theatre, and performance culture, she received training in jingju acting at the Academy of Chinese Traditional Theatre and the University of Hawaii at Manoa.