Nautanki: The Musical Theatre of North India
By (Author) Devendra Sharma
Series edited by Simon Shepherd
Bloomsbury Publishing PLC
Methuen Drama
20th February 2025
United Kingdom
Professional and Scholarly
Non Fiction
Music of film and stage
Asian history
792.09541
Hardback
224
Width 129mm, Height 198mm
Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharmas book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground. What entertained Indias masses and elites before the arrival of cinema in India When did modern theatre begin in India In this book, renowned theatre scholar and fifth-generation Nautanki artist, Devendra Sharma, examines the theatrical form of Nautanki its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces which flourished in North India in the 19th and the 20th centuries, and is still popular in the 21st century. In a concise format, Sharma explores how this socially and politically relevant theatre full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout Indias countryside towns. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed Indias theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood.
Devendra Sharma is Professor of Communication and Performance Studies at California State University, USA. He is a seventh-generation actor-singer, writer, and director of Nautanki, Svang and Sangit (older forms of Nautanki). He has performed more than 2000 performances so far in his performance career. He wrote his doctoral thesis in 2006 at Ohio University, in addition to other publications, on Nautanki, and is a worldwide authority on it.