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Performing Arousal: Precarious Bodies and Frames of Representation

(Hardback)

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Publishing Details

Full Title:

Performing Arousal: Precarious Bodies and Frames of Representation

Contributors:

By (Author) Professor Julia Listengarten
Edited by Yana Meerzon

ISBN:

9781350155633

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

16th December 2021

UK Publication Date:

16th December 2021

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Performance art

Dewey:

709.040755

Physical Properties

Physical Format:

Hardback

Number of Pages:

272

Dimensions:

Width 138mm, Height 216mm

Weight:

463g

Description

This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing what arouses in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object.

Author Bio

Julia Listengarten is Professor of Theatre, Artistic Director and Director of Graduate Studies at University of Central Florida. She has written on avant-garde and contemporary theatre, theory and practice of performer training, scenographic practices and performances of national identity. Yana Meerzon teaches at the Department of Theatre, University of Ottawa. Her research interests are in drama and performance theory, theatre of exile and migration, and cultural and interdisciplinary studies.

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