The Theatrical Notebooks of Samuel Beckett: Waiting for Godot

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Waiting for Godot follows Endgame and Krapp's Last Tape in this highly praised series of Beckett's notebooks, which show for the first time the extensive revisions made by Beckett during revivals of the play.

This volume is in part a facsimile, with transcription and commentary, of the notebook kept by Beckett for Berlin's Schiller-Theater production in 1975. It contains a full set of directorial notes, and discloses, section by section, a total system that works by repetition and analogy, musical rhythm and echo, establishing subtle patterns of sound, movement and gestures.

Author Bio

Samuel Beckett was born in Dublin in 1906 and graduated from Trinity College. He settled in Paris in 1937, after travels in Germany and periods of residence in London and Dublin. He remained in France during the Second World War and was active in the French Resistance. From the spring of 1946 his plays, novels, short fiction, poetry and criticism were largely written in French. With the production of En attendant Godot in Paris in 1953, Beckett's work began to achieve widespread recognition. During his subsequent career as a playwright and novelist in both French and English he redefined the possibilities of prose fiction and writing for the theatre. Samuel Beckett won the Prix Formentor in 1961 and the Nobel Prize in Literature in 1969. He died in Paris in December 1989.