Shakespeare in the Theatre: Patrice Chreau
By (Author) Dominique Goy-Blanquet
Bloomsbury Publishing PLC
The Arden Shakespeare
19th April 2018
United Kingdom
Tertiary Education
Non Fiction
Individual film directors, film-makers
Literary studies: plays and playwrights
Literary studies: c 1600 to c 1800
792.023092
Hardback
272
Width 129mm, Height 198mm
399g
Patrice Chreau (1944 - 2013) was one of Frances leading directors in the theatre and on film and a major influence on Shakespearean performance. He is internationally known for memorable productions of both drama and opera. His life-long companionship with Shakespeare began in 1970 when his innovative Richard II made the young director famous overnight and caused his translator to denounce him publicly as an iconoclast, for a production mixing music-hall, circus, and pankration. After this break, Chreau read Shakespeares texts assiduously, line by line and word by word, with another renowned poet, Yves Bonnefoy. Drawing on new interviews with many of Chereau's collaborators, this study explores a unique theatre maker's interpretations of Shakespeare in relation to the European tradition and to his wider body of work on stage and film, to establish his profound influence on other producers of Shakespeare.
A compendium of fascinating production detail and a compellingly argued history of a crucial period of European theatre in which Chereau played a leading role Goy-Blanquets critical exegesis is detailed and illuminating. * SKEN Journal of Theatre and Drama Studies *
As with Shakespeare, Chreau's space is always metaphorized (like the scenic treatment of the phantom in his Hamlet), and he gives the text its true value and the fable its faithful rhythm. The question of theater determines his vision, and his practice of theater is a total art. You have understood it: this book is one of those that must be read and reread. Shakespeare, thanks to Chreau, is our contemporary for a long time to come. * Critical Stages *
Dominique Goy-Blanquet is professor of Elizabethan Theatre at the University of Picardie, a member of the editorial board of La Quinzaine Littraire and a contributor to The Times Literary Supplement. Her works include Shakespeares Early History Plays: From Chronicle to Stage (2003), Shakespeare et linvention de lhistoire (2004), Joan of Arc, A Saint for All Reasons: Studies in myth and politics (2003) and the French translation of and W. H. Audens Lectures on Shakespeare (2003).