Shakespeare in the Theatre: Tina Packer
By (Author) Katharine Goodland
Series edited by Dr. Farah Karim Cooper
Series edited by Peter Holland
Series edited by Stephen Purcell
Bloomsbury Publishing PLC
The Arden Shakespeare
11th July 2024
United Kingdom
Tertiary Education
Non Fiction
822.33
Hardback
216
Width 129mm, Height 198mm
This book examines the work of acclaimed director Tina Packer, founder of Shakespeare & Company, whose ground-breaking approach to performing Shakespeare has made her company among the most vibrant and enduring Shakespeare theatres in America. Tina Packer directed her first Shakespeare play at London Academy for Music and Dramatic Art in 1971. Fifty years later she still directs and teaches at Shakespeare & Company, which she founded in Lenox, Massachusetts in 1978. Drawing on new interviews with the original casts and creative teams as well as Tina Packer herself, this book is the first comprehensive analysis of all of her professional Shakespeare productions in their cultural and historical context. Over a career that spans five decades, Packer has directed or acted in all of Shakespeares plays as well as many others. As artistic director she guided her company through times of expansion as well as belt-tightening, never wavering from her conviction that the purpose of theatre is to heal and that to fulfil that purpose, acting must tell the truth. With in-depth case studies of twelve of her most significant productions, Katharine Goodland offers a clear account of Packer's work and contribution to Shakespearean theatre in America while illuminating the embedded nature of regional Shakespeare in communities across the United States.
Katharine Goodland is Professor of English at the College of Staten Island, USA, and author of Female Mourning and Tragedy in Medieval and Renaissance English Drama (2006; 2016), several articles and reviews on contemporary Shakespeare productions, and editor of A Directory of Shakespeare in Performance in North America (2 vols. 2007; 2011). She serves on the editorial board of SB: The Journal of Early Modern Drama in Performance, and has worked as dramaturge at Shakespeare & Company and Bedlam.