Available Formats
Shakespeare in the Theatre: Yukio Ninagawa
By (Author) Conor Hanratty
Series edited by Bridget Escolme
Series edited by Dr. Farah Karim Cooper
Series edited by Peter Holland
Bloomsbury Publishing PLC
The Arden Shakespeare
5th March 2020
United Kingdom
Tertiary Education
Non Fiction
Individual actors and performers
Theatre studies
Literary studies: plays and playwrights
Literary studies: c 1600 to c 1800
822.33
Hardback
248
Width 129mm, Height 198mm
372g
Yukio Ninagawa (19352016) was Japan's foremost director of Shakespeare whose productions were acclaimed around the world. His work was lauded for its spectacular imagery, its inventive use of Japanese iconography and its striking fusion of Eastern and Western theatre traditions. Over a career spanning six decades, Ninagawa directed 31 of Shakespeare's plays, many of them, including Hamlet, on multiple occasions. His productions of Macbeth, The Tempest, Pericles, Twelfth Night and Cymbeline became seminal events in world Shakespeare production during the last 30 years. This is the first English-language book dedicated exclusively to Ninagawas work. Featuring an overview of his extraordinary output, this study considers his Shakespearean work within the context of his overall career. Individual chapters cover Ninagawas approach Shakespeare and Greek tragedy, in particular his landmark productions of Macbeth and Medea, and his eight separate productions of Hamlet. The volume includes a detailed analysis of the Sai-no-Kuni Shakespeare Series in which Ninagawa set out to stage all of Shakespeares plays in his hometown of Saitama, north of Tokyo. Written by Conor Hanratty, who studied with Ninagawa for over a year, it offers a unique and unprecedented glimpse into the work and approach of one of the worlds great theatre directors.
Conor Hanratty is a theatre and opera director from Dublin, Ireland. He was awarded a Monbukagakusho (Japanese Government) Scholarship to study at Waseda University in Tokyo, and has an MFA in Directing from UCLA. He spent a year in rehearsal with Ninagawa, observing the creation of several productions.