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The Theatre Practice of Tadashi Suzuki: A critical study with video examples

(Hardback)


Publishing Details

Full Title:

The Theatre Practice of Tadashi Suzuki: A critical study with video examples

Contributors:

By (Author) Paul Allain

ISBN:

9781408116432

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

21st September 2009

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Acting techniques

Dewey:

792.0233092

Physical Properties

Physical Format:

Hardback

Number of Pages:

226

Dimensions:

Width 140mm, Height 216mm, Spine 22mm

Weight:

414g

Description

A lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre: Tadashi Suzuki. This book explores Suzuki's theatre practice and contains accompanying video content with practical Suzuki Method actor-training examples. For over forty years Tadashi Suzuki has been a unique and vital force in both Japanese and Western theatre, creating and directing many internationally acclaimed productions including his most famous production, The Trojan Women, which toured throughout the world. Dr Paul Allain, an experienced practitioner of the Suzuki Method, re-evaluates Suzuki's work, his development towards an international theatre aesthetic and his impact on performance all over the world. The accompanying video content covers an actor training session (featuring both novices and an experienced practitioner with over ten years of Suzuki training) showing the physical moves. "Captures aspects of Suzuki's work with an insider's grasp of theatre-making - an informative and inspirational read" From the foreword by Katie Mitchell.

Reviews

'A lively, critical study of one of the most important innovators, thinkers and directors in contemporary world theatre.' * AS Magazine (Amateur Stage) (September 2009) *

Author Bio

Paul Allain is Professor of Theatre and Performance at the University of Kent. He took his doctorate at Goldsmiths, trained in Poland with the Gardzienice Theatre Association, and studied the Suzuki Method. He has worked as Movement Director for the RSC and National Theatre and has published extensively on Polish theatre, Chekhov and actor training. He is currently director of the British Grotowski Project and leading a research collaboration with the Moscow Art Theatre School.

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