Woza Shakespeare: Titus Andronicus in South Africa
By (Author) Greg Doran
Bloomsbury Publishing PLC
Methuen Drama
1st August 2006
New Edition - New ed
United Kingdom
General
Non Fiction
Literary studies: plays and playwrights
Literary studies: c 1600 to c 1800
792.92
Hardback
320
Width 136mm, Height 216mm
420g
"A fascinating account of the trials and tribulations behind what turned into a triumphant South African production of Shakespeare's bloodiest tragedy, Titus Andronicus" (Independent)
"Shakespeare in Tarantino mode" is how actor Antony Sher and director Gregory Doran describe Titus Andronicus, one of the most violent plays ever written. They decided to mount a production at the celebrated Market Theatre in Johannesburg with a top South African multi-racial cast. This is an account of their extraordinary journey: from the historic first visit of the Royal National Theatre Studio to South Africa in 1994, to the rehearsals and controversial opening of Titus at the Market, and the acclaim that greeted its subsequent performances in London, Leeds and Spain. This is not only a fascinating insight into how a director and actor approach a classic play, it is also a portrait of theatre in South Africa, emerging from the dark ages of apartheid, and a moving and often funny account of Antony Sher's professional debut in his homeland.
Greg Doran has been described as one of the supreme Shakespeare directors of our era (Financial Times) and one of the finest present day directors of Shakespeare (Sunday Telegraph). He joined the Royal Shakespeare Company as an actor in 1987 and became its Artistic Director in 2012. He has directed and/or produced every single play in the First Folio of Shakespeares plays at Stratford-upon-Avon. His 2012 production of Julius Caesar was described by theatre critic Michael Billington as one the ten best productions in the 60-year history of the RSC and as one of his ten best nights in the theatre ever. Doran delivered the prestigious Richard Dimbleby Lecture on BBC One in 2016. He was awarded the Sam Wanamaker Prize for pioneering work in Shakespearean theatre in 2012 and won a special Olivier Award for outstanding achievement for a season of Jacobean plays in 2002. His writing credits include the book Woza Shakespeare!, co-authored with Antony Sher.