Ballroom Harry: Volume II
By (Author) Harry Goaz
Foreword by Bettina Gilois
Afterword by Jason Reimer
Deep Vellum Publishing
Deep Vellum Publishing
24th November 2020
United States
General
Non Fiction
Television
Hardback
152
Width 203mm, Height 254mm
Ballroom Harry: Volume II picks up Goaz's trail as he's re-emerged to work with David Lynch on Twin Peaks: The Return and reclaim the life of a working actor, sometimes with less-than-glamorous trappings. Goaz, who's not only an avid photographer but also a consummate observer, has an innate ability to disappear in the room. But even as those who surround him let their guard down, his photos often obscure the obvious target, adding a charge to the moment. You're never quite sure if Goaz is alone waiting for a car to be repaired or he's sitting next to an international celebrity having toast. The photos represent Harry's own cool demeanor and sense of humor. He's not showy or bragging about who he's hanging out with or who he knows, likely the very reason he's there to begin with. These photos are in direct opposition to the desperation that soaks today's social media, and instead project a minimalistic calm that has something electric just out of view. Goaz has a really juicy story to tell you, but like a true Southern gentleman he'll save it for another time or skip it all together. This tension is spread throughout the deceivingly simple frames of his work, like a peek into someone's medicine cabinet when they're out of town. This first collection follows Goaz's journey back to the role of Deputy Andy and a reassessment of his relationship with the character, along with a reunion of old friends, often for the first time in decades. The coy subtitles on each of the photos speak to Goaz's own playful nature and a subtle abstraction to a direct answer. Much like his apprehension to do a "normal" interview, he has little interest in explaining why he finds an image interesting, or why Roger Daltrey's shoes were a better photo than the icon himself. These snapshots, further contextualized in most cases by the immediacy of the iPhone, are a mirror to the man himself more than anything he might say. Lost inside this enigma, the viewer begins to understand why so many attempt to unwind his persona, all while Goaz remains happily elusive. BALLROOM HARRY: VOLUME II is a Talented Friends production offered by Deep Vellum Books 2019
Harry Goaz began his artistic career as a casual observer growing up in Texas and Oklahoma. His graceful nature allowed him access to some of the most exclusive enclaves of society, in which he developed his fine sense for the ironic. This skillset served him well when he picked up a camera and began photographing the world around him. Ultimately, he outgrew the rice fields of Texas and found his way to Los Angeles where a chance meeting and his graceful nature landed him the role he is so well known for on the television series Twin Peaks. This iconic role was followed by Twin Peaks: Fire Walk with Me, and another on Eerie Indiana before Goaz stepped back into the world of the camera where he feels most at home. In a time when the pursuit of fame is ubiquitous within every level of society, anyone acquiring notoriety and hedging at exploiting it is downright revolutionary. When in 2015 word came that he would reprise his role for Lynch on Twin Peaks: The Return, the journey carried multiple meanings for Goaz. Prior to reuniting with Lynch, Goaz had shunned the limelight for years, pursuing his art. It was at this juncture that he connected with Director Jason Reimer, who was originally asked to make something with Goaz in conjunction with an article about his life between TV stints. The result was the short film Figurehead, depicting Goaz as a frustrated artist waiting in a broken-down home for a phone call that will change his fate. The film has since been added to Twin Peaks lore for his signature portrayal. After this collaboration, Reimer and Goaz planned further collaborations; the first result of which is this collection of photographs entitled Ballroom Harry: Volume II.