Incomparable: Women of Style, Rose Hartman
By (Author) Rose Hartman
By (author) Alistair O'Neill
ACC Art Books
ACC Editions
25th October 2012
United Kingdom
General
Non Fiction
Cultural studies: dress and society
Gender studies: women and girls
779.24092
Hardback
160
Width 237mm, Height 300mm
1350g
Incomparable: Women of Style is a book for fashion aficionados, photography and popular culture fans, and those fascinated with celebrity. This gorgeous volume spans more than 35 years and includes both iconic and rarely seen pictures of celebrated women known for their unparalleled taste and style: Nan Kempner, Jerry Hall, Marisa Berenson, Jackie O., Brooke Astor, Grace Jones, Anna Wintour, Paloma Picasso, Lauren Hutton, Diane von Furstenberg, Candace Bushnell, and Daphne Guinness among many others. Rose Hartman's lens has given order to the chaos of openings, runways shows, and couture's triumphs and tragedies, by letting the viewer see the substance behind the form. With her photographs appearing worldwide in books and magazines, she has distinguished herself as a photographer whose eye is so keen, even her candid work has the finish and insight of portraiture. What one fails to realise is that many of the photographs associated with a style, an event, and an era, have belonged to Hartman, whether it is Bianca Jagger on a white horse as she enters Studio 54, or Isabella Rossellini at a private dinner in the Hamptons. AUTHOR: Rose Hartman was born in Manhattan's East Village. She started patrolling the night scene in 1975 as an arts and society columnist at the SoHo Weekly News. Her first big break was a photo shoot of Joan Hemingway's wedding in Sun Valley, Idaho where she managed to induce Ernest Hemingway's wife, Mary, to pose for her relaxing in a hammock. Her photos have been published in Vogue, Glamour, Vanity Fair, Art & Auction, Art News, Harpers Bazaar, Panorama, Der Spiegel, Elle, and many other magazines. Her first book, Birds of Paradise: An Intimate View of the New York Fashion World (Delacorte Press), remains recognised as much as a collection of photographs, as a history of the era it records. Alistair O'Neill is Reader in Fashion History and Theory at Central Saint Martins College of Arts and Design, London. He is the author of London - After a Fashion (Reaktion Books, 2007) and is currently completing a book on fashion photography. He is a regular contributor to the academic journals Fashion Theory and Photography and Culture and is a member of the Editorial Board of Costume, the journal of The Costume Society of Great Britain. SELLING POINTS: .Features more than 200 photographs, including rare vintage silver prints developed by Hartman in her home studio, as well as a group of never-before-seen images of New York City's underground style icons .Chronicling a world of beauty and style, photographer Rose Hartman has captured fashion's trendsetters for three decades, and in so doing has helped to define what we remember most about glamour and those who create it ILLUSTRATIONS: 200 colour photographs
Incomparable: Women of Style contains Ms. Hartman's resplendent photo gallery of the goddesses who populate our modern glamour Olympus: models, actresses, jet-setters, editors and fashionistas, famous or obscure, all amazing to look at. www.nytimes.com Her shots are spontaneous, natural and fly-on-the-wall intimate without losing any of the glamorous style that makes us want to take a closer look. MetroSource.com
Rose Hartman was born in Manhattan's East Village. She started patrolling the night scene in 1975 as an arts and society columnist at the SoHo Weekly News. Her first big break was a photo shoot of Joan Hemingway's wedding in Sun Valley, Idaho where she managed to induce Ernest Hemingway's wife, Mary, to pose for her relaxing in a hammock. Her photos have been published in Vogue, Glamour, Vanity Fair, Art & Auction, Art News, Harpers Bazaar, Panorama, Der Spiegel, Elle, and many other magazines. Her first book, Birds of Paradise: An Intimate View of the New York Fashion World (Delacorte Press), remains recognized as much as a collection of photographs, as a history of the era it records.