Kristin Bedford: Cruise Night
By (Author) Kristin Bedford
Damiani
Damiani
20th June 2021
Italy
General
Non Fiction
Hardback
144
Width 300mm, Height 300mm
1540g
Known for her quiet portraits of American cultural movements, Kristin Bedford's new work, Cruise Night, is an intimate and unstaged exploration of Mexican American lowrider car culture in Los Angeles. From 2014 to 2019 she attended hundreds of lowrider cruise nights, car shows, quinceaeras, weddings and funerals. Bedford's images offer a new visual narrative around the lowrider tradition and invite us to question prevalent societal stereotypes. Located at the intersection of aesthetics and social realism, her photographs explore the nuance of cars as mobile canvases and the legendary community that creates them. With the bold language of color photography and the female vantage point, Cruise Night is an original look at a prolific American movement set against the Los Angeles cityscape. Kristin Bedford appreciates the sensitivity of our culture and Cruise Night is an amazing representation of lowriding. We are always being stereotyped but by riding with us she understands what we are really about and what we do. She has earned the respect of the lowrider community by not just making a book but by living the life with us. We will always be thankful that she's one of the very few that got it right. Like the saying goes, "one rides, we all ride" and she's riding along with us." - Juan Ramirez, Co-founder Los Angeles Lowrider Community and President of Just Memories Car Club One part family album in its prosaic depiction of the lowrider community, one part a poetic, electric, color filled photographic embrace of an often stereotyped subculture, Bedford's approach in Cruise Night captivates with its uniquely female gaze, a rarity in car culture across genres. - Eve Schillo, Assistant Curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art
Bedford emphasizes the tradition, self-expression and artistic aspects of lowriding, bringing a female point of view to car culture.--Jeff Campagna "Smithsonian"
A compendium of the vibrant velvet and leather interiors, wire wheels and dazzling paint jobs that make up the cars of the Mexican American lowriding community, bathed in Los Angeles' idiosyncratic golden hours or the artificial glow of ambient light at night.--Jacqui Palumbo "CNN Style"
Taking us behind the curtain of this misunderstood community, the photo book explores the art and symbolism of the Latinx Lowrider Car Culture, as well as the strength of its female members [...] Developed over five years and finally out now, Bedford integrated herself into the LA's lowrider world, creating a visual tribute of the same with snippets of oral histories by members of the various clubs speaking about the culture and its impact on their lives.--Constanza Falco Raez "Flaunt"
'Cruise Night' spotlights women lowriders and the rich history of car customization.--Alexandra Pauly "Hypebae"
A a striking photo book that radiates warmth and a unique female perspective. The project takes us behind the curtain of this misunderstood subculture.--Romina Romn "Metal Magazine"
A series of photos that, like the cars themselves, tell a visual story of how lowriders--the term refers to both the cars and their owners--have used customization as a means of resisting a homogenizing American society that too often suppresses the creativity and pride of its [marginalized people].--Nili Blanck "Smithsonian"
Bedford's book keeps the lowrider community at its visual and conceptual center. While her crisp, sharply composed photos sensually celebrate these exquisite cars and their dedicated drivers, snippets of oral histories by lowriding club members throughout the book grant essential insight into the lives and experiences of this unique community.--Lauren Moya Ford "Hyperallergic"
Bedford's fascination with lowriding began when learning of the complex and sophisticated nuanced symbolism behind car customization. Cars became mobile canvases reflecting decades of identity politics and culture, allowing a platform for creativity. The legendary community embraced and welcomed Bedford over her five years of integrating and documenting their lifestyle, sharing traditions, attending hundreds of lowrider cruise nights, car shows, quinceaeras, weddings and funerals.-- "ArtDaily"
Cruise Night is a visual tribute to the generations-old L.A. Mexican-American lowrider car community and the vehicles that fuel it. "It's colorful. It's shiny," says Bomb Life Car Club's Tommy Brizuela of the lowrider. "It's full of gleam and glamour, and it's like rolling out the red carpet in Hollywood on a Sunday night and showing your best."--Julia Vitale "Airmail"
In Cruise Night, Bedford focuses mostly on women. After all, lowriding - and car culture more generally - tends to be associated with machismo, with male image-makers and subjects dominating the narrative. On the rare occasions that lowrider women are portrayed in popular culture, they are presented as cartoonish, sexual accessories to men. But in fact, Bedford argues, they're "an integral component" to the wider movement.--Dominique Sisley "AnOther"
Kristin Bedford set out to chronicle LA's Mexican-American lowrider community, who drive customised cars with a lowered body. She discovered that each vehicle was a marvel of defiance and self-expression.-- "The Guardian"
Los Angeles-based documentary photographer Kristin Bedford spent five years living with and observing the lowriding communities of LA. The result is a photobook infused with colour that gets behind the stereotypes of a testosterone-fuelled culture.... a joyful visual tribute to lowriding.-- "Royal Photographic Society Journal"
Today there are tens of thousands of lowriders in Los Angeles, still, lowriding is often pigeonholed as craft or folk art and stereotyped as crude and dangerous. Through intimate and unstaged photography, Kristin reveals a different reality - a tradition of self-expression that is passed down between generations.-- "Girl Talk HQ"
Kristin Bedford appreciates the sensitivity of our culture and Cruise Night is an amazing representation of lowriding. We are always being stereotyped but by riding with us she understands what we are really about and what we do. She has earned the respect of the lowrider community by not just making a book but by living the life with us. We will always be thankful that she's one of the very few that got it right. Like the saying goes, "one rides, we all ride" and she's riding along with us.--Juan Ramirez "Co-founder Los Angeles Lowrider Community and President of Just Memories Car Club"
One part family album in its prosaic depiction of the lowrider community, one part a poetic, electric, color filled photographic embrace of an often stereotyped subculture, Bedford's approach in Cruise Night captivates with its uniquely female gaze, a rarity in car culture across genres.--Eve Schillo "Curator, Wallis Annenberg Photography Department Los Angeles County Museum of Art"
Kristin Bedford's photographs have appeared in solo and group exhibitions throughout the United States and Europe and are held in numerous private and public collections worldwide, including the Archive of Documentary Arts at the Rubenstein Library. Bedford's work has been published in the New York Times, Esquire and other national publications. Born in Washington, D.C., she lives and works in Los Angeles.