Sara Cwynar: Glass Life
By (Author) Sara Cwynar
By (author) Shelia Heiti
Interviewer Rose Bouthillier
Text by Legacy Russell
Aperture
Aperture
12th October 2021
United States
General
Non Fiction
Photographs: collections
Films, cinema
Individual film directors, film-makers
779.2092
Winner of MAST Foundation for Photography Grant on Industry and Work 2018
Hardback
200
Width 203mm, Height 273mm
840g
Sales Points
A must-have for anyone interested in visual culture and contemporary photography
Additional Comp Titles
Penelope Umbrico: Photographs, by Penelope Umbrico. 9781597111713, $65.00 USD (Aperture, 2011) Kitsch Encyclopedia, by Sara Cwynar. (Blonde Art Books, 2014) Muse: Mickalene Thomas: Photographs, by Mickalene Thomas. 9781597113144, $65.00 USD (Aperture, 2015) Mika Rottenberg: The Production of Luck, by Julia Bryan-Wilson. 9781941366004, $55.00 USD (Gregory R. Miller & Co./Rose Art Museum, 2014)
Sara Cwynar: Glass Life also featured in:
Blind Magazine, June 16, 2021
Monocle, July 14, 2021
Internazionale, July 16, 2021 (Print)
A visually arresting dive into digital culture and consumerism that cements Cwynars position as one of photographys most innovative young talents. Monocle
A critical exploration of the use of photography to package and sell beauty. Vanity Fair
Glass Life is more than a monograph. Beyond Cwynars sharp and detailed expos of institutionalised power, it is the way she conveys the complicated visceral experience of being a subject within these systems that makes the work so radical and remarkable. British Journal of Photography
Sara Cwynar (born in Vancouver, 1985) graduated with a bachelor of design honors degree from York University in Toronto in 2010. After working as a freelance graphic designer for the New York Times, she earned an MFA in photography from Yale University in 2016. Her debut solo US museum exhibition, Sara Cwynar: Image Model Muse, opened at the Minneapolis Institute of Art in September 2018, prior to traveling to the Milwaukee Art Museum. Cwynar's Red Film (2018) was included in the 2018 So Paulo Biennial, and she completed a residency at Skowhegan School of Painting and Sculpture, Maine, in summer 2018. In June 2019, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut, opened Gilded Age, a solo show of her work. Cwynar has independently published several artist books, including Kitsch Encyclopedia (Blonde Art Books, 2014) and Pictures of Pictures (Printed Matter, 2014). She is represented by Foxy Production, New York; Cooper Cole Gallery, Toronto; and The Approach, London. In January 2021, the largest installation of her work to date will open at the Remai Modern, Saskatoon, Canada. Sheila Heti is a playwright and author of eight books of fiction and nonfiction, including Motherhood (2018) and How Should a Person Be (2010). In 2018, she was named as part of "The New Vanguard" of fiction writers in the twenty-first century by the New York Times. She is a frequent contributor to publications such as Bookforum, London Review of Books, McSweeney's, and the New Yorker. Rose Bouthillier is curator of exhibitions at Remai Modern, Saskatoon, Canada. Legacy Russell is a writer and associate curator of exhibitions at the Studio Museum in Harlem. She is recipient of a 2019 Carl & Marilynn Thoma Art Foundation Arts Writing Award in Digital Art, and a 2020 Robert Rauschenberg Foundation artist residency. Her first book, Glitch Feminism: A Manifesto, was published in 2020.