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Peter Fischli & David Weiss: 800 Views of Airports

(Hardback)


Publishing Details

Full Title:

Peter Fischli & David Weiss: 800 Views of Airports

Contributors:

By (Author) Peter Fischli
By (author) David Weiss

ISBN:

9783865609328

Publisher:

Verlag der Buchhandlung Walther Konig

Imprint:

Verlag der Buchhandlung Walther Konig

Publication Date:

12th December 2012

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Dewey:

779.9387736

Physical Properties

Physical Format:

Hardback

Number of Pages:

408

Dimensions:

Width 240mm, Height 320mm

Weight:

2740g

Description

Peter Fischli (b. 1952) and David Weiss (1946-2012) were Switzerland's most renowned artistic duo. Executed in a variety of media, including sculpture, film and photography, their work playfully ignores the distinction between high and low art. The duo is perhaps best known for the 1987 film The Way Things Go, in which an improbable chain of events unfolds involving household objects and detritus in their studio. In 1988, Fischli and Weiss began working on an ongoing series of airport photographs. At first glance, the images appear commonplace, almost like tourist photographs. They focus on the banal side of air travel: the fuel vehicles, the baggage trucks, the daily routine of the airport worker. These carefully composed images are strangely placid and restful, without any of the noise and anxiety commonly associated with airports. This legendary series, comprising some 800 photographs, is published here in its complete form for the first time.

Reviews

Like all great artists, they pry our eyes open to new forms and hitherto unexpected beauty and interest. "There was no fog in London before Whistler painted it," remarked Oscar Wilde, and had he known the Swiss duo, he might have added, that there were far fewer airports in the world before Fischli and Weiss began to photograph them.--Alain De Botton "BOMB Magazine"
An extraordinary new book that collects 25 years of photos taken by the Swiss duo in airports around the world. It's a fitting endnote for Fischli/Weiss, whose deadpan art has long played in the negative spaces of everyday life.-- "T: The New York Times Style Magazine"

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