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The Command To Look: A Master Photographer's Method for Controlling the Human Gaze

(Paperback)


Publishing Details

Full Title:

The Command To Look: A Master Photographer's Method for Controlling the Human Gaze

Contributors:

By (Author) William Mortensen
By (author) George Dunham
Contributions by Michael Moynihan

ISBN:

9781627310017

Publisher:

Feral House,U.S.

Imprint:

Feral House,U.S.

Publication Date:

9th October 2023

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Dewey:

771

Physical Properties

Physical Format:

Paperback

Number of Pages:

240

Dimensions:

Width 128mm, Height 178mm

Weight:

295g

Description

William Mortensen began his photographic career taking portraits of Hollywood actors and film stills. He preferred the pictorialism style of manipulating photographs to produce romanticist painting-like effects. The style brought him criticism from straight photographers of the modern realist movement and, in particular, he carried on a prolonged written debate with Ansel Adams, who called Mortensen The Devil' and 'The Anti-Christ'. The Command to Look was one of William Mortensen's mostsought-after books, and has been out of print for over 50 years.'

Reviews

There's a reason why Anton Szandor LaVey, founder of the Church of Satan, called upon Mortensen's artistic aesthetic and psycho-optical theories when creating LaVeyan Satanism and iconography of the Church. But you don't have to be the Black Pope to appreciate or make use of Mortensen's trademark techniques for commanding the gaze. - The Alibi Command to Look influential, especially in renegade realms. Feral House simultaneously published the exquisite compendium American Grotesque. Shawn Macomber, Fangoria Mortensen was a giant, and it is time to acknowledge his stature. Buy both of these new books. But be warned: if you do, you may well find yourself haunting used bookshops and the internet to round out your collection with everything he ever wrote. Amateur Photographer
There's a reason why Anton Szandor LaVey, founder of the Church of Satan, called upon Mortensen's artistic aesthetic and psycho-optical theories when creating LaVeyan Satanism and iconography of the Church. But you don't have to be the Black Pope to appreciate or make use of Mortensen's trademark techniques for commanding the gaze. - The Alibi Command to Look influential, especially in renegade realms. Feral House simultaneously published the exquisite compendium American Grotesque. Shawn Macomber, Fangoria Mortensen was a giant, and it is time to acknowledge his stature. Buy both of these new books. But be warned: if you do, you may well find yourself haunting used bookshops and the internet to round out your collection with everything he ever wrote. Amateur Photographer

Author Bio

William Mortensenwas an American artist and photographer, born in 1897 and who died in 1965. He was part of a group of photographers in the first part of the twentieth century called the Pictorialists, known for their romantic subject matter and alternative photographic processes. Mortensen didnt fit easily into that group, however. His imagery was highly manipulated and not particularly romanticinstead he created compositions exploring themes of the grotesque and the erotic. From the late 1920s until the 1940s, Mortensen was one of the best-known and most successful photographers in the United States. He had begun his artistic life as a painter and etcher and carried that training over to his photographic work, which he began in the mid 1920s. He was known for his outr subject matter that had an unusual lookit is difficult to tell, at first glance, if his images are etchings, drawings, or photographs. This work made him well regarded by many but reviled by a group of photographers called the f.64 group, also known as straight photographers. This group consisted, in part, of Ansel Adams, and Edward Weston. Mortensen, together with his coauthor George Dunham, published 9 books and approximately 100 articles on his concepts and processes. His books and articles were extremely popular. For the most part these were published by Camera Craft, but he was also a regular contributor to various other major magazines of the time such as Popular Photography. George Dunham was born in 1896 in Riverside County, California. He went on to Harvard University to pursue graduate work in English and Music. At Harvard, Dunham attended the influential 47 Workshop class taught by George Pierce Baker. Dunham returned to the seaside art colony then forming in Laguna Beach, California in 1923. In the years that followed Dunham became an actor and director of the Community Players of Laguna Beach. Dunham was also an accomplished writer, who had provided articles on theater to the local newspaper. In 1931 after leaving the Community Players, Dunham met and became friends with photographer and teacher William Mortensen. Mortensen had arrived in Laguna Beach in 1931 and opened the William Mortensen School of Photography. Dunham began posing for Mortensen in 1932, which yielded one of Mortensens most well known photographs, Human Relations 1932. Dunham also became the literary voice of Mortensen from 1933 through the late 1950s writing all of the books and articles attributed to that famous photographer. Theirs was a literary collaboration, with Mortensen outlining the ideas and thrust of the book or article and Dunham providing the words and wit. However, Dunhams contribution to Mortensens literary success was kept a secret from all but a few in the photography world and wasnt revealed until the 3rd printing of How to Pose the Model. Dunham was finally recognized as coauthor of all of Mortensens literary works. Their collaboration, but not their friendship, ended in the late 1950s with the last of the articles. Dunham died of cancer in 1976. Larry Lytle is a commercial and fine art photographer in Los Angeles, and lecturer in Art at California State University Channel Islands. His writings have appeared in William Mortensen: A Revival and Original Sources: Art and Archive at the Center for Creative Photography (both published by the CCP), Black & White Magazine, Laguna Life, The Laguna Beach Independent, and The Scream. Michael Moynihan is the co-author, with Didrik Sderlind, of the award-winning music and crime book Lords of Chaos (Feral House, 2003) and has contributed essays to various anthologies (such as Apocalypse Culture II) and scholarly encyclopedias. As an editor and translator has collaborated on various books and journals dealing with the netherworlds where culture, religion, and art meet.

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