The Lives of Images, Vol I: Repetition, Reproduction, Circulation
By (Author) Stanley Wolukau-Wanambwa
By (author) Paul Pfeiffer
By (author) Kate Steciw
Interviewee Batia Suter
Aperture
Aperture
4th January 2022
United States
General
Non Fiction
Photographic equipment and techniques: general
Photography: subject-specific techniques and principles
Theory of art
770
Paperback
288
Width 108mm, Height 178mm
280g
The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and lives of imagestheir tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times.
Volume 1 of the series, Repetition, Reproduction, and Circulation, addresses the multiple life cycles of the imageits modes of dispersion, reception, consumption, and aggregationand the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered as both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, and Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.
Contributions by Giorgio Agamben, Kate Palmer Albers, Erika Balsom, Aria Dean, Jodi Dean, Cora Gilroy-Ware, Boris Groys, Miriam Bratu Hansen, Rabih Mrou, and Hito Steyerl
Stanley Wolukau-Wanambwa is a photographer, writer, and educator. His book One Wall a Web (2018) was winner of the 2018 Paris Photo-Aperture Foundation First Book Award. Wolukau-Wanambwa has a BA in philosophy and French from Oxford University, and an MFA in photography from Virginia Commonwealth University. He has contributed essays and interviews to catalogues and monographs by Vanessa Winship, George Georgiou, Paul Graham, and Gregory Halpern. He is currently assistant professor and graduate program director of photography at the Rhode Island School of Design.