Available Formats
The Lives of Images, Vol. II: Analogy, Attunement, and Attention
By (Author) Stanley Wolukau-Wanambwa
Interviewee Lucas Blalock
Interviewee Frida Orupabo
Aperture
Aperture
3rd February 2022
United States
General
Non Fiction
Photographic equipment and techniques: general
Photography: subject-specific techniques and principles
Theory of art
770
Paperback
328
Width 121mm, Height 178mm
Sales Points
Second volume in The Lives of ImagesAn essential broadening of perspectives on contemporary theories of photography
Stanley Wolukau-Wanambwa is a photographer, writer, and graduate director of the photography MFA program at the Rhode Island School of Design, Providence. He is the author of a book of selected essays, Dark Mirrors (2021); and his most recent photographic publication, Hiding in Plain Sight (coauthored with fellow artist Ben Alper), was published by the Harun Farocki Institute in summer 2020. His work was recently exhibited at the International Center of Photography, New York, and in the Biennale fr aktuelle Fotografie, Mannheim, Germany. He has contributed essays to catalogues and monographs by Rosalind Fox Solomon, George Georgiou, Paul Graham, Steve McQueen, and Vanessa Winship. Wolukau-Wanambwa has guest edited The Photobook Review and written for Aperture, FOAM, and for both the Barbican and the Photographers' Gallery, London. He was an artist-in-residence at Light Work, Syracuse, New York, in 2015. Lucas Blalock is an artist and occasional writer. He has held recent solo exhibitions at the Institute of Contemporary Art, Los Angeles, and Museum Kurhaus, Kleve, Germany. His work has been included in exhibitions at the Whitney Museum of American Art, New York; Henie Onstad Art Center, Oslo; Museum of Modern Art, New York; Walker Art Center, Minneapolis; Metropolitan Museum of Art, New York; and Malm Konsthall, Sweden. Blalock also makes books, including three published in 2021: an artist book titled Figures; Oar Or Ore, an expansive survey of the artist's work since 2013 through the lens of recent exhibitions; and a volume of writing titled Nightbook for Blau. Frida Orupabo is a sociologist and artist based in Oslo. Her work consists of digital and physical collages in various forms, which explore questions related to race, family relations, gender, sexuality, violence, and identity. In 2020 and 2021, she held solo exhibitions at Museu Afro Brasil, So Paulo; Hasselblad Foundation, Gothenburg, Sweden; Kunsthall Trondheim, Norway; Stevenson Gallery, Johannesburg; and Gavin Brown's Enterprise, Rome. Orupabo participated in the 58th Venice Biennale (2019) and the 34th Bienal de So Paulo (2021). Other notable group exhibitions include Witness: Afro Perspectives from the Jorge M. Prez Collection, El Espacio 23, Miami (2020); Infinite Identities: Photography in the Age of Sharing, Huis Marseille, Amsterdam (2020); and Arthur Jafa's multicity traveling exhibition A Series of Utterly Improbable, Yet Extraordinary Renditions (2017-19).