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Sonic Perspectives from the Global Souths: Unheard Reciprocity, Resonant Relationality, and Aural Confluence

(Hardback)


Publishing Details

Full Title:

Sonic Perspectives from the Global Souths: Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Contributors:
ISBN:

9781501365850

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

19th February 2026

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Individual artists, art monographs
Music recording and reproduction

Physical Properties

Physical Format:

Hardback

Number of Pages:

240

Dimensions:

Width 152mm, Height 229mm

Description

The first-ever book to systematically and comprehensively investigate the unique sound worlds of the Global South, Sonic Perspectives from the Global Souths outlines the historical and aesthetic developments of sound practices in some of the key regions of South Asia, the Middle East, Latin America, and Africa.

It examines the sonic aesthesis and thinking in these regions in the light of a complex and fraught colonial relationship with the West to bring forward the under-engaged and often underrepresented artists and thinkers and sonic epistemologies from the Global South. The book is auto-ethnographic in approach, informed by the authors own practice and migratory background, and draws insights from long conversations with prominent sound practitioners based in the Global South or part of their diaspora. The book traces a decolonial milieu of sounding and listening and offers embodied perspectives on the unheard reciprocity, resonant relationality, and the aural confluences.

Author Bio

Budhaditya Chattopadhyay is a media artist, researcher and writer, and is currently a Visiting Professor at the Critical Media Lab, Basel, Switzerland, and a Marie Curie Postdoctoral Fellow at the Department of Contemporary Art, University of Bergen, Norway. He is the author of the books The Nomadic Listener (2020), and The Auditory Setting (2021), among other publications.

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