|    Login    |    Register

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed.

(Hardback, Multilingual edition)

Available Formats


Publishing Details

Full Title:

Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido. 40th Ed.

Contributors:

By (Author) Rhiannon Paget

ISBN:

9783836596459

Publisher:

Taschen GmbH

Imprint:

Taschen GmbH

Publication Date:

7th May 2024

Edition:

Multilingual edition

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

History of art
Individual artists, art monographs
Landscapes / seascapes

Physical Properties

Physical Format:

Hardback

Number of Pages:

512

Dimensions:

Width 156mm, Height 217mm

Weight:

1032g

Description

The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists' distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it's the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.

Reviews

Spectacular views, local delicacies, hot spring baths, and other more carnal pursuits. * The New York Times *

Author Bio

Rhiannon Paget studied at Tokyo University of the Arts and received her doctorate in Japanese Art History from the University of Sydney, Australia. The curator of Asian art at the John & Mable Ringling Museum of Art in Sarasota, Florida, she has published research on Japanese woodblock prints, textiles, board games, and nihonga.

See all

Other titles by Rhiannon Paget

See all

Other titles from Taschen GmbH