|    Login    |    Register

The Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

(Hardback)

Available Formats


Publishing Details

Full Title:

The Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

Contributors:
ISBN:

9781350428089

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Visual Arts

Publication Date:

8th February 2024

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

History of art
Individual artists, art monographs

Dewey:

B

Physical Properties

Physical Format:

Hardback

Number of Pages:

256

Dimensions:

Width 156mm, Height 234mm

Description

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of 5,199,822 in todays currency. As someone who made, but didnt sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallerys focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwoods replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Author Bio

Heidi A. Strobel is Associate Professor of Art History and Curator of the Peters-Margedant House, University of Evansville, USA.

See all

Other titles by Dr. Heidi A. Strobel

See all

Other titles from Bloomsbury Publishing PLC