Becoming Past: History in Contemporary Art

(Paperback)

Publishing Details

Classifications

Physical Properties

Description

Is there such a thing as contemporary art history The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target These questions lie at the center of Jane Blocker's "Becoming Past." The important point is not whether there is--or should be--contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practicein which artists have engaged with historical subject matter, methods, and inquiryBlocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film "Deadpan" by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film" Amos Fortune Road "by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, "Becoming Past" is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art.

Reviews

"A timely intervention into ongoing debates about temporal dimension of performance and art, Becoming Past is an engaged critical work that takes historiography as an innovative way of approaching contemporary art."Branislav Jakovljevic, Stanford University

"Becoming Past is about contemporary arts engagement in a special kind of history makingone that unsettles the linearity of the historical narrative, as well as historys apparent mastery and neat conclusions over what it seeks to document. In this intelligent, deeply insightful and elegantly written book, Jane Blocker pushes this engagement even further by asking: What would it mean to take contemporary artistic practices seriously as history rather than simply as art"Christine Ross, author of The Past Is the Present; Its the Future Too: The Temporal Turn in Contemporary Art

"The work of artists as diverse as filmmaker Steve McQueen, documentarian/filmmaker Ross McElwee, and multimedia artist Matthew Buckingham, to name just three individuals examined, takes on new meanings thanks to Blockers elegant analyses."CHOICE

"In a series of vivid and detailed readings extending across a range of different media, Blocker examines the ways in which self-consciously "materialist" art confronts historical crisis and the ways in which it seeks to work through the crisis by becoming itself a creative historiography."Cultural Critique

Author Bio

Jane Blocker is professor of art history at the University of Minnesota. She is the author of Seeing Witness:Visuality and the Ethics of Testimony and What the Body Cost: Desire, History, and Performance (both from Minnesota), as well as Where Is Ana Mendieta: Identity, Performativity, and Exile.