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Is Now the Time for Joyous Rage

(Paperback)


Publishing Details

Full Title:

Is Now the Time for Joyous Rage

Contributors:

By (Author) Jacqueline Francis
Edited by Jeanne Gerrity

ISBN:

9783956796593

Publisher:

Sternberg Press

Imprint:

Sternberg Press

Publication Date:

5th September 2023

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

History of art
Ethnic groups and multicultural studies

Dewey:

700.103

Physical Properties

Physical Format:

Paperback

Number of Pages:

224

Dimensions:

Width 114mm, Height 181mm, Spine 17mm

Weight:

201g

Description

On the themes found in the work of Lorraine O'Grady- Black female subjectivity, intersectional feminism, institutional critique, music, and translation. Is Now the Time for Joyous Rage is the fourth book in the annual series A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. This fourth issue is informed by themes found in the work of Lorraine O'Grady, including diaspora, Black female subjectivity, racial hybridity, translation, intersectional feminism, institutional critique, Black representation in the art world, archives, music, Conceptualism, and performance art. Contributors Selam Bekele, Martin Bernal, Camille Chedda, Gabrielle Civil, Kathleen Collins, Erica Deeman, Jeanne Finley, Jacqueline Francis, douard Glissant, Rujeko Hockley, Bec Imrich, E. Jane, Charles Lee, Darrell M. Mcneill, Denise Murrell, John Muse, Sawako Nakayasu, Lorraine O'Grady, Yetonde Olagbaju, Hsu Peng, Lara Putnam, Trina Michelle Robinson, Legacy Russell, David Scott, Peter Simensky, Maud Sulter, Carrie Mae Weems, Judith Wilson, Alisha B. Wormsley, Allison Yasukawa Published by CCA Wattis Institute for Contemporary Arts and Sternberg Press

Author Bio

Jacqueline Francis is the Chair of the Graduate Visual & Critical Studies program at California College of the Arts, as well as an author and curator. Jeanne Gerrity is the Deputy Director and Head of Publications at the Wattis and has written for such publications as Artforum, Art Agenda, and Frieze.

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