Textures: The History and Art of Black Hair
By (Author) Kent State University Museum
Edited by Tameka Ellington
Edited by Joseph L. Underwood
Hirmer Verlag
Hirmer Verlag
1st February 2021
24th September 2020
Germany
General
Non Fiction
Portraits and self-portraiture in art
Exhibition catalogues and specific collections
Ethnic groups and multicultural studies
700.8996073
Hardback
200
Width 229mm, Height 305mm
980g
TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the "hair story" of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today. TEXTURES explores the breadth of Black artists' perspectives on hair vis--vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.
Tameka Ellington is a professor in the Fashion School at Kent State University. Joseph L. Underwood is professor of art history at Kent State University.