Art and the F Word Reflections on the Browning of Europe
By (Author) Maria Lind
By (author) What How & For Whom/whw
Sternberg Press
Sternberg Press
29th June 2020
United States
Paperback
352
Width 114mm, Height 191mm, Spine 15mm
666g
From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project "Beginning as Well as We Can (How Do We Talk about Fascism)." Focusing on the startling increase of nationalism across Europe--made palpable in manifestations of fascist tendencies and the cult of heritage--the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now.
Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production--investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics. The exhibitions featured here, which form an essential part of the overall project, test the potential of aesthetic experience to question reality and upset the ideological complacency and political resignation that lead to a loss of control over the direction of social transformation.
Copublished with Tensta konsthall and What, How & for Whom/WHW
Contributors
Lawrence Abu Hamdan, Petra Bauer & Sofia Wiberg, Barnabs Bencsik, Boris Buden, Maria Lind and Tensta konsthall, Jelena Vesic, What, How & for Whom/WHW
Maria Lind is a curator, writer and educator based in Stockholm and Berlin. She has served as director of Tensta konsthall, artistic director of the 11th Gwangju Biennale, director of the Center for Curatorial Studies graduate programme at Bard College, and director of Iaspis, the International Artists Studio Program in Stockholm. Her previously published books include Selected Maria Lind Writing and Seven Years: The Rematerialisation of Art From 2011-2017, both published by Sternberg Press. What, How & for Whom/WHW (established 1999) is a curatorial collective whose members are Ivet Curlin, Ana Devic, Natas a Ilic and Sabina Sabolovic, along with designer and publicist Dejan Krs ic.