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Atlas of Emotion: Journeys in Art, Architecture, and Film

(Paperback)


Publishing Details

Full Title:

Atlas of Emotion: Journeys in Art, Architecture, and Film

Contributors:

By (Author) Giuliana Bruno

ISBN:

9781786633224

Publisher:

Verso Books

Imprint:

Verso Books

Publication Date:

1st September 2018

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Theory of architecture

Dewey:

700.9

Physical Properties

Physical Format:

Paperback

Number of Pages:

496

Dimensions:

Width 203mm, Height 256mm, Spine 33mm

Weight:

1561g

Description

Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that sight and site but also motion and emotion are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.

Reviews

One of those critical works packed with learning and insights that at the same time takes you on an exhilarating ride through its author's imagination. -- Marina Warner * Guardian *
In this astonishingly provocative, captivating, tender, elegant, and passionate nonchronological, interdisciplinary book, Bruno connects splendidly a psychogeography of cultural life. . . She takes the readers through a poetico-scholarly and picturesque journeya visual travelogue, based both on philosophical theories and erudite conjectures. . . . Bruno writes like an expressionist painter, who deeply captures the invisible and the instantaneous. * Choice *

Author Bio

Giuliana Bruno is Emmet Blakeney Gleason Professor of Visual and Environmental Studies at Harvard University. She is the author of Streetwalking on a Ruined Map, winner of the 1993 Katherine Singer Kovacs prize for the best book in film studies, Public Intimacy and Surface.

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