Chardin Material
By (Author) Ewa Lajerburcharth
By (author) Daniel Birnbaum
By (author) Isabelle Graw
Sternberg Press
Sternberg Press
9th July 2020
United States
Paperback
70
Width 121mm, Height 191mm, Spine 15mm
666g
Adapted from the lecture she delivered at the Institut fr Kunstkritik, Stdelschule in Frankfurt am Main, Ewa Lajer-Burcharth's essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Simon Chardin. Focusing on the material aspects of Chardin's practice, Lajer-Burcharth asks: In what ways were Chardin's painterly procedures "his own," and what were the implications of his possessive and personalized approach to the process of making The author delves into these questions by examining a crucial moment in the artist's career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author's replies.
Institut fr Kunstkritik Series
Daniel Birnbaum is a Swedish art critic, theoretician, and curator. He was the director of the Museum of Modern Art (Moderna Museet) in Stockholm from 2010 to 2018, and currently directs the VR company, Acute Art. Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule fr bildende Knste-Stdelschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut fr Kunstkritik at the Stdelschule.