Der symbolische Auftraggeber/The Symbolic Commissioner
By (Author) Sren Grammel
By (author) Michael Hirsch
By (author) Mari Laanemets
By (author) Ruby Sircar
By (author) Jan Verwoert
Sternberg Press
Sternberg Press
2nd September 2011
United States
Professional and Scholarly
Non Fiction
701
Hardback
224
Width 241mm, Height 165mm, Spine 15mm
666g
The expression "Der symbolische Auftraggeber/The Symbolic Commissioner" refers to the utopia of the New Man, which various avant-gardes from art, dance, and architecture proclaimed both the client and the aim of their artistic production at the beginning of the 20th century. This client is a symbolic one, because his actual identity remains ambivalent. Houses and carpets, wallpapers and suits, new cities and chairs were designed for him. Yet the figure has remained a utopian one, flaring-up only for brief moments and as a fragmentary manifestation from the productions of the artists.A thematic book including a.o. numerous color views of the exhibitions "Idealismusstudio" and "Die Blaue Blume" (the latter counted among the "Best themed Shows 2007" in frieze magazine, 2008). Both projects took place at the Grazer Kunstverein. Co-published with Grazer Kunstverein Contributors Anni Albers, Vojin Baki_x0107_, Martin Beck, Christoph Bruckner, Saim Demircan, Luca Frei, Lasse Schmidt Hansen, Heidrun Holzfeind, Marine Hugonnier, David Jourdan, Jacob Dahl J rgensen, Paul Klee, Katarzyna Kobro, Hilary Lloyd, Marika L oke & J ri Okas, Camilla L w, Kenneth Martin, Ulrike Meinhof, George Nelson, Silke Otto-Knapp, Vaclav Pozarek, Florian Roithmayr, Giles Round, Nora Schultz, Sean Snyder, Juliane Solmsdorf, Pernille Kapper Williams.
Jan Verwoert lives in Hamburg and works as a freelance writer. He is a member of the advisory board of the Kunstverein Munich and Guest Professor of Contemporary Art and Theory at the Academy of Ume .