Foul Perfection: Essays and Criticism
By (Author) Mike Kelley
Edited by John C. Welchman
MIT Press Ltd
MIT Press
20th June 2003
United States
Professional and Scholarly
Non Fiction
700.92
Paperback
258
Width 203mm, Height 229mm, Spine 11mm
476g
The work of artist Mike Kelley (b.1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy and gender-bending. This book offers a diverse collection of Kelley's writings from the last 25 years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic". It also contains essays, mostly commissioned for exhibition catalogues and journals, on the artists and groups David Askevold, Oyvind Fahlstrom, Douglas Huebler, John Miller, Survival Research Laboratories and Paul Thek, among others. Kelley's voices are passionate, analytic and ironic, and his critical intelligence is leavened with touches of whimsy.
This collection proves that [Kelley] has not only helped write history but has had an effect on it.
-- Diedrich Diederichsen * Artforum *Mike Kelley is a Los Angeles-based artist, noise musician, and writer. He is a member of the graduate faculty in the M.F.A. program at Art Center College of Design, Pasadena. John C. Welchman is Professor of Modern Art History in the Visual Arts Department at the University of California, San Diego. He is the editor of Minor Histories- Statements, Conversations, Proposals, a collection of writings by the artist Mike Kelley (MIT Press).