Images of War in Contemporary Art: Terror and Conflict in the Mass Media
By (Author) Uro Cvoro
By (author) Kit Messham-Muir
Bloomsbury Publishing PLC
Bloomsbury Visual Arts
23rd March 2023
United Kingdom
Professional and Scholarly
Non Fiction
History of art
Warfare and defence
704.94935502
Paperback
290
Width 156mm, Height 234mm
In Images of War in Contemporary Art, Uro Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flowart that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war artoffering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Neboja eric oba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).
Uro Cvoro (UNSW Sydney, Australia) researches artistic and cultural strategies dealing with the multiple challenges of post-global exchange such as conflict, economic collapse, and migration. His books include Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014), Transitional Aesthetics: Contemporary Art at the Edge of Europe (Bloomsbury, 2018), and Post-Conflict Monuments in Bosnia and Herzegovina: Unfinished Histories (2020). Kit Messham-Muir (Curtin University, Australia) researches contemporary art and visual culture that addresses war, terror, and political violence. He wrote Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq (2015). He is Lead Chief Investigator of the Art in Conflict project, which receives a Linkage Project grant from the Australian Research Council of $293,380 over 2018-2021.