Material Selves: Object Biographies and Identities in Motion
By (Author) Alex Burchmore
Bloomsbury Publishing PLC
Bloomsbury Visual Arts
26th December 2024
United Kingdom
Professional and Scholarly
Non Fiction
Decorative arts
Philosophy: aesthetics
Material culture
701.05
Hardback
256
Width 156mm, Height 234mm
What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common Prized, possessed and modelled, these objects highlight the deep connections we share with cultural objects. Establishing new connections between people and objects via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and anthropology to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olleys enduring fame, the significance of the Khila in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBruns royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.
Alex Burchmore is Lecturer in Art History and Curatorship at the Australian National University, Australia. He is the author of New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art (2023).