Theories of Performance: Critical and Primary Sources

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Theories of Performance: Critical and Primary Sources offers a comprehensive collection of key writings on a subject which has come to permeate fields as diverse as theatre, comparative literature, philosophy, law, history, English, and science and technology studies, in what has been termed the transdisciplinary performative turn. The collected essays draw upon writing from these diverse disciplines - and more - together illustrating how performance has become an ever more vibrant and plastic discursive practice. It includes a wide range of historical and more contemporary perspectives from the northern and southern hemispheres, with writing drawn from South and Southeast Asia, East Asia, Europe, Russia and the post-Soviet context, the Americas, Africa and the Caribbean. Expansive in their representation, the four volumes address current questions of protest culture, race and gender politics, biopolitics, indigenous studies and perspectives, postcolonialism and decoloniality, and language/translation, among others. Each volume is introduced by the editor and arranged thematically, so that the development of ideas can be traced within a theme. The set includes 90 essays covering the following major areas: discipline, method, documentation, and body politic. Together the four volumes of Theories of Performance present a major scholarly resource for the field.

Author Bio

Klina Gotman is Professor of Performance and the Humanities, Kings College London, UK. She is author of Choreomania: Dance and Disorder (2018), winner of the David Bradby Award for international research in theatre and performance, Theatre and Performance Research Association. She is also author of Essays on Theatre and Change: Towards a Poetics Of (2018), and co-editor of Theatre, Performance, Foucault! (with Tony Fisher). She has taught cultural and critical theory, performance and writing at Columbia University, Bard College, and The Eugene Lang College for Liberal Arts at The New School. In 2015-16 she was Visiting Scholar at the Society for the Humanities at Cornell University and Honorary Lecturer at the Slade School of Fine Art, UCL; and previously Audrey and William H. Helfand Fellow in the Medical Humanities at the New York Academy of Medicine.