Djalkiri: Yolu Art, Collaborations and Collections
By (Author) Rebecca J. Conway
Sydney University Press
Sydney University Press
1st March 2021
Australia
General
Non Fiction
704.039915
Winner of NSW Premiers History Awards 2021
Paperback
340
Width 230mm, Height 265mm, Spine 14mm
350g
Longlisted for the 2021 NSW Premiers History Awards for Australian History
The patterns and designs were laid down on the country and in the minds of Yolu by the ancestral beings at the time of creation. They have been passed on through the generations from our great grandparents, to our grandparents, to our parents, to us. They are the reality of this country. They tell us all who we are. Djambawa Marawili AM
Djalkiri are footprints" ancestral imprints on the landscape that provide the Yolu people of eastern Arnhem Land with their philosophical foundations.
This book describes how Yolu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time.
From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories.
Featuring over 300 colour images, Djalkiri is published in conjunction with a largescale exhibition of Yolu art and culture at the University of Sydneys new Chau Chak Wing Museum, opening in November 2020. Spanning almost 100 years of our shared history, these collections can expand our understanding of the past and help us to shape the future.
'The overall presence of Yolu voice throughout the book is another invaluable element here, positioning Yolu as the authority in contextualizing collections ... Djalkiri: Yolu art, collaborations and collections is a fitting testimony to the history of the University of Sydney and its cultural collections and research, and the continuous and ongoing connections with the people of eastern Arnhem Land.'
-- Lindy Allen * Oceanic Art Society *Rebecca Conway is curator of ethnography at the University of Sydney's Chau Chak Wing Museum.