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German Design 1949 1989: Two Countries, One History

(Paperback)


Publishing Details

Full Title:

German Design 1949 1989: Two Countries, One History

Contributors:

By (Author) Mateo Kries
Selected by Thomas A. Geisler
Edited by Erika Pinner
Edited by Klara Nemeckova

ISBN:

9783945852446

Publisher:

Vitra Design Museum

Imprint:

Vitra Design Museum

Publication Date:

16th July 2021

UK Publication Date:

29th April 2021

Country:

Germany

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Physical Properties

Physical Format:

Paperback

Number of Pages:

320

Dimensions:

Width 215mm, Height 280mm

Weight:

1380g

Description

The cheap, colourful plastic designs from East Germany pitted against the cool functionalism of West German design: The publication German Design 1949 - 1989: Two Countries, One History does away with such clichs. More than 30 years after German reunification, it presents a comprehensive overview of German design history of the post-war period for the first time ever. With over 380 illustrations and numerous examples from the fields of design-fashion, furniture, graphics, automobile, industrial, and interiors-the book shows how design featured in daily life on both sides of the Wall, the important part it played in the reconstruction process and how it served as a propaganda tool during the Cold War. Key objects and protagonists-from Dieter Rams or Otl Aicher in the West to Rudolf Horn or Renate Mller in the East-are presented alongside formative factors such as the Bauhaus legacy and important institutions. The exceptional case of the division of Germany allows a unique comparative perspective on the role design played in promoting socialism and capitalism. While in the Federal Republic to the West, it became a generator of the export economy and the "Made in Germany" brand, in the East it was intended to fuel the socialist planned economy and affordability for broad sections of the population was key. While the book highlights the different realities of East and West, the many cross references that connected design in both are also examined. It impressively illustrates the many facets of German design history in the post-war period. With contributions by Paul Betts, Greg Castillo, Petra Eisele, Siegfried Gronert, Jana Scholze, Katharina Pftzner, Eli Rubin, Katrin Schreiter, Oliver Sukrow, Carsten Wolff, among others; interviews with Prem Krishnamurthy, Renate Mller and Dieter Rams.

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