In Vested Interests: from Passion to Patronage: The AbdulMagid Breish Collection of Arab Art
By (Author) Louisa Macmillan
Text by AbdulMagid Breish
Text by Mysa Kafil-Hussain
Skira
Skira
10th November 2020
Italy
General
Non Fiction
700.411
Hardback
248
Width 240mm, Height 280mm
1820g
In Vested Interests: from Passion to Patronage is a catalogue charting the art investment strategy of prominent Libyan banker AbdulMagid Breish
AbdulMagid Breish describes his journey and how he became an art collector, as well as his passionate belief that any collector bears a cultural responsibility to support his regional and local art scene: in his case, the Arab world and Libya in particular. Breish also offers a frank assessment of the pitfalls of investing in art from a part of the world where provenance issues can often arise, yet he describes how building connections within the artworld can mitigate this. From auction houses to galleries, to the artists themselves, he is especially keen on fostering relationships to increase personal involvement. In his case, his friendship with various artists has led to commissioning artworks directly and inspiring artistic practice indirectly. Breish's approach is novel, yet it provides young collectors with an alternative strategy for collecting and offers advice for what to look out for and avoid, as well as how to progress within the stages of collecting to become a full-fledged patron of the arts.
Louisa Macmillan is an independent curator, writer and specialist in modern and contemporary Middle Eastern art. She worked as a volunteer and curator in the Department of the Middle East at the British Museum (2008-2012).
AbdulMagid Breish (investment banker and art collector); Stanislas YassukovichCBE (investment banker), Nima Sagharchi (Director of Islamic, South Asian and Middle Eastern Art, Bonhams), Charles Pocock (Director of Meem Gallery, Dubai), and Mysa Kafil-Hussain (independent researcher).