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1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific

(Hardback)


Publishing Details

Full Title:

1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific

Contributors:

By (Author) Tana Caragol
By (author) Kate Clarke Lemay
Contributions by Carolina Maestre
Contributions by Jorge Duany
Contributions by Theodore S. Gonzalves
Contributions by Kristin Hoganson
Contributions by Healoha Johnston
Contributions by Paul A. Kramer
Contributions by Neil Weare

ISBN:

9780691246208

Publisher:

Princeton University Press

Imprint:

Princeton University Press

Publication Date:

20th March 2024

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Portraits and self-portraiture in art
Colonialism and imperialism

Dewey:

709.7309034

Physical Properties

Physical Format:

Hardback

Number of Pages:

328

Dimensions:

Width 216mm, Height 267mm

Description

A revealing look at U.S. imperialism through the lens of visual culture and portraiture

In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nations founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history.

Tana Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio Mara de Hostos of Puerto Rico; Jos Mart of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Liliuokalani of Hawaii. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramers essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions.

Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawaii while shedding needed light on the lasting impacts of U.S. imperialism.

Published in association with the Smithsonians National Portrait Gallery, Washington, DC

Exhibition Schedule
National Portrait Gallery, Washington, DC
April 28, 2023February 25, 2024

Author Bio

Tana Caragol is curator of painting and sculpture and Latino art and history at the National Portrait Gallery in Washington, DC. She is the coauthor of The Obama Portraits (Princeton). Kate Clarke Lemay is a historian at the National Portrait Gallery. Her books include Votes for Women: A Portrait of Persistence (Princeton). Carolina Maestre is the Latino curatorial assistant at the National Portrait Gallery.

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