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Bauhaus 1919-1933: Workshops for Modernity

(Hardback)


Publishing Details

Full Title:

Bauhaus 1919-1933: Workshops for Modernity

Contributors:

By (Author) Barry Bergdoll
By (author) Leah Dickerman
By (author) Benjamin H. D. Buchloh
By (author) Brigid Doherty
By (author) Hal Foster
By (author) Charles W. Haxthausen
By (author) Andreas Huyssen
By (author) Michael W. Jennings
By (author) Juliet Kinchin
By (author) Ellen Lupton

ISBN:

9780870707582

Publisher:

Museum of Modern Art

Imprint:

Museum of Modern Art

Publication Date:

1st December 2009

UK Publication Date:

16th November 2009

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Dewey:

709.4309042

Prizes:

Commended for IndieFab awards (Art Book) 2009

Physical Properties

Physical Format:

Hardback

Number of Pages:

344

Dimensions:

Width 240mm, Height 305mm

Weight:

2410g

Description

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.

Reviews

a thoroughly impressive catalogue of works.... The development of the Bauhaus was eclectic in both concept and deed, and the sheer variety of works in 'Workshops for Modernity' deftly illustrates that fact.--Eric J Herboth "Design Observer"

Author Bio

Leah Dickerman has been Curator in the Department of Painting and Sculpture at The Museum of Modern Art since 2008. Her scholarship on the historical avant-garde appears in a broad range of publications. She earned her doctorate in art history from Columbia University, and has held faculty teaching positions at Stanford University and the University of Delaware. Ellen Lupton is the curator of contemporary design at the Smithsonians Cooper-Hewitt, National Design Museum in New York, and the author of several books.

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