Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine
By (Author) Barbara Maria Stafford
MIT Press Ltd
MIT Press
13th August 1993
United States
General
Non Fiction
The Arts: treatments and subjects
Cultural studies
704.9
Paperback
588
Width 197mm, Height 273mm, Spine 38mm
1542g
In this illustrated history of perception, Barbara Stafford explores a set of body metaphors deriving from both aesthetic and medical practices that were developed during the enlightenment for making visible the unseeable aspects of the world. While she focuses on these metaphors as a reflection of the changing attitudes toward the human body during the period of birth of the modern world, she also presents a strong argument for our need to recognize the occurrence of a profound revolution - a shift from a text-based to a visually centred culture. Stafford argues, in fact, that modern societies need to develop innovative, nonlinguistic paradigms and to train a broad public in visual aptitude.
Stafford's book is... full of intriguing, even intoxicating, ideas. For anyone involved with images it opens unexplored avenues of thought, forcing one to question traditional assumptions about both images and text.
Helene Roberts, Visual ResourcesBarbara Stafford is the William B. Ogden Distinguished Service Professor of Art History at the University of Chicago. She is the author of Good Looking, Artful Science, Body Criticism, and Voyage into Substance (all published by MIT Press).