Brutal Aesthetics: Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg

(Hardback)

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How artists created an aesthetic of 'positive barbarism' in a world devastated by World War II, the Holocaust, and the atomic bomb

In Brutal Aesthetics, leading art historian and critic Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the mass devastation of World War II, the Holocaust, and the atomic bomb. Inspired by 'positive barbarism,' the enigmatic idea that modernist art can teach us how to survive a civilisation become barbaric, Foster examines the variety of ways key figures from the early 1940s to the early 1960s sought to develop a 'brutal aesthetics' adequate to the destruction all around them.

With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates this manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux How does Dubuffet imagine an art brut, an art unscathed by culture Why does Jorn populate his paintings with 'human animals' What does Paolozzi see in his monstrous figures assembled from industrial debris And why does Oldenburg remake everyday products from urban scrap

A study of artistic practices made desperate by political crisis, Brutal Aesthetics is a brilliant account of an intriguing era in twentieth-century culture. Published in association with the National Gallery of Art, Washington, DC.

'Hal Foster moves often in a single quickening sentence from the specific work of art to the forces that shape our ways of seeing, illuminating both, opening up new modes of thought and filiation. His books are never far from me.' Ben Lerner, author ofThe Topeka School

'At the most opportune time, Foster undertakes a reconsideration of barbarism as it was reinvented in the visual arts of the mid-twentieth century. Not only does he excavate a crucial postWorld War II tendency that has evaded systematic comparative interpretation, but he also sheds light on the political aporias of our present.' David Joselit, author of After Art

Reviews

"Hal Fosters eloquent book Brutal Aesthetics attempts to inaugurate a positive appraisal of what the author identifies as 'positive barbarism'. . . . This erudite, nearly coffee table-sized booksubstantially rewarding both in historical detail and theoretical reference, with copious footnotes and voluminous glossy color platesis fascinatingly factual and beautiful to peruse."---Joseph Nechvatal, Brooklyn Rail
"Hal Foster's research sets the figures in context, compares them in an original way and skilfully manages to identify common aspects of their work. For those interested in modern art, intellectual history and politics of the cold war era, this book comes strongly recommended."---Christian Kile, Sehepunkte
"In Brutal Aesthetics, Hal Foster compellingly investigates the complex dichotomies that inherently exist within brutalist art theory of the postwar period. Through the lens of five iconic figures and the transformative nature of their respective disciplines, Foster provides substantial evidence for such an examination and lays the foundation for this essential contribution to the literature around the subject. Covering an historically pivotal turning point in Western art, Fosters research illuminates new insights into the study of brutalism to supplement mid twentieth-century avant-garde art history. . . . Brutal Aesthetics is an indispensable addition to the art library. ARLIS/NA Reviews"
"A fine production, a beautiful publication, that honours the exceptionally high quality of the lectures contained within."---Ian Lipke, Queensland Reviewers Collective
"Highly recommended." * Choice *
"An informative (and well-illustrated) overview of how intellectuals in the immediate post-war period saw primitivism as a viable remedy for art and society."---Alexander Adams, The Jackdaw

Author Bio

Hal Foster is the Townsend Martin, Class of 1917, Professor of Art and Archaeology at Princeton University and the author of many books, including The First Pop Age (Princeton). A member of the American Academy of Arts and Sciences, he writes regularly for October, the London Review of Books, and Artforum.