David Manzur: The Perfection
By (Author) Paola Gribaudo
Skira
Skira
5th June 2023
Italy
General
Non Fiction
759.9861
Hardback
456
Width 250mm, Height 300mm
2780g
As a young artist, Manzur experimented with Expressionism and abstraction, but he eventually found his true passion for figurative painting. He was inspired by multiple sources including Spanish Baroque artists such as Velzquez, Zurbarn and Snchez Cotn; 19th-century American Realists like William Harnett and John F. Peto; and Italian Renaissance artists, with whom he shares the love for the human figure. Early in his career, he developed a personal style characterized by a masterful draftsmanship, a dramatic almost theatrical use of light and color, and the juxtaposition of volumes and transparencies. His subject matter has varied over the years. From still-lives to religious characters, from portraiture to equine representations, his paintings depict staged scenes that combine reality and fantasy in an oneiric atmosphere. Most recently, his series Obra Negra focuses on three main themes: the ghostly horse, the bull and the woman in red. These monumental canvases, in which he uses a sort of assemblage to attain volume, result in compelling images that are, by far, his most magnificent to date.
Born in Neira, Caldas, in 1929, of a Lebanese father, Salomn Manzur, and a Colombian mother, Cecilia Londoo Botero, David Manzur spent his childhood and adolescence, in Equatorial Guinea, the Canary Islands, and Continental Spain. In 1947, he returned to his country of birth and settled in Bogot, where he studied art, music and acting. After a short theatrical career, he devoted himself to the visual arts. He studied at the Escuela de Bellas Artes de Bogot before attending The Art Students League and Pratt Institute, in New York. Among his many accomplishments he received two Guggenheim fellowships (1961-1962) and one from the Organization of American States (1964).