Figurative Art in Medieval Islam and the Riddle of Bihzd of Hert: (1465-1535)
By (Author) Michael Barry
Editions Flammarion
Flammarion
18th January 2005
France
Tertiary Education
Non Fiction
709.17671
Hardback
400
Width 237mm, Height 310mm
In terms of elucidating inner meaning and symbolism, the study of medieval Islamic art has lagged almost a full century behind that of medieval Western art. This groundbreaking work suggests how it might at last prove possible to crack the allegorical code of medieval Islamic painting during its Golden Age between the fourteenth and seventeenth centuries. Barry focuses his study around the work of Bihzd, a painter who flourished in the late fifteenth century in the kingdom of Herat, now in Afghanistan. Bihzd became the undisputed master of the Persian miniature and an almost mythical personality throughout Asian Islam. By carefully deciphering the visual symbols in medieval Islamic figurative art, Barrys study deliberately takes a bold approach in order to decode the lost iconographic conventions of a civilization. The glorious illustrations, scholarly text, and extracts from Persian poetry, many translated into English for the first time, combine to create an essential new work of reference and a visual delight.
Michael Barry, born in New York City in 1948, raised in France, now lectures at Princeton University, his alma mater, on the traditional and modern cultures of Iran and especially Afghanistan. Barry is widely published and holds six literary prizes.
Stuart Cary Welch, former curator of Islamic and Later Indian Art at Harvard Universitys Fogg and Sackler Museums, is widely recognized as one of the worlds foremost specialists of Persian and Mughal painting.