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Fleshing out Surfaces: Skin in French Art and Medicine, 16501850

(Hardback)


Publishing Details

Full Title:

Fleshing out Surfaces: Skin in French Art and Medicine, 16501850

Contributors:

By (Author) Mechthild Fend

ISBN:

9780719087967

Publisher:

Manchester University Press

Imprint:

Manchester University Press

Publication Date:

2nd January 2017

Country:

United Kingdom

Classifications

Readership:

General

Main Subject:
Dewey:

757.0944

Physical Properties

Physical Format:

Hardback

Number of Pages:

352

Dimensions:

Width 156mm, Height 234mm

Description

Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive. -- .

Reviews

Fleshing out Surfaces makes for a rich and fascinating read. Fleshing out Surfaces contributes significantly to a growing body of work on the history of representing human skin in art and science by scholars such as Mieneke te Hennepe and Ann-Sophie Lehmann, among others.
Marieke M. A. Hendriksen - A Journal of eighteenth-century art and culture, March 2018

Fleshing Out Surfaces is indispensable reading for anyone interested in the cultural construction of the body and the theory and practice of portraiture. Fends focus on the representation of skin, and the connections she makes between medical and anatomical treatises, Enlightenment philosophical considerations of body and self, and seventeenth- and eighteenth-century aesthetic theory provide a productive vocabulary for talking about portraiture, and indeed about visual culture more broadly.
Amy Freund, Oxford Art Journal

-- .

Author Bio

Mechthild Fend is Reader in History of Art at University College London

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