Available Formats
Book detail unspecified, Multilingual edition
Published: 16th October 2017
Hardback
Published: 15th October 2017
Hardback
Published: 23rd April 2024
Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido
By (Author) Andreas Marks
Taschen GmbH
Taschen GmbH
16th October 2017
Multilingual edition
Germany
General
Non Fiction
Individual artists, art monographs
Prints and printmaking
769.952
Book detail unspecified
234
Width 440mm, Height 300mm
3905g
The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists' distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it's the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN XXL edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, this legendary publication is reproduced in the finest quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to TASCHEN's One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.
Just leafing through the publication is a journey through a bygone era and a foreign culture. This is a book that can also be an inspiration for a hike in Japan on these very tracks. * Neue Zrcher Zeitung *
A masterpiece of Japanese woodblock prints, an exquisitely designed illustrated book. * Kulturzeit *
An incredible ticket to travel. * LExpress *
Spectacular views, local delicacies, hot spring baths, and other more carnal pursuits. * The New York Times *
Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanology from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. In 2024, he was awarded the commendation of the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture.