|    Login    |    Register

Impressionist and Post-Impressionist Drawings

(Hardback)

Available Formats


Publishing Details

Full Title:

Impressionist and Post-Impressionist Drawings

Contributors:

By (Author) Christopher Lloyd

ISBN:

9780500021231

Publisher:

Thames & Hudson Ltd

Imprint:

Thames & Hudson Ltd

Publication Date:

29th August 2019

UK Publication Date:

29th August 2019

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Drawing and drawings

Dewey:

741.944

Physical Properties

Physical Format:

Hardback

Number of Pages:

288

Dimensions:

Width 212mm, Height 246mm

Weight:

1240g

Description

Manet, Pissarro, Morisot, Czanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Czanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed

Author Bio

Christopher Lloyd worked in the Department of Western Art of the Ashmolean Museum in Oxford from 1968 to 1988, combining curatorial duties with teaching. During that time he was appointed by Harvard University to a Fellowship at Villa I Tatti in Florence and was Visiting Research Curator of Early Italian Painting at the Art Institute of Chicago. He was appointed Surveyor of The Queens Pictures in the British Royal Collection in 1988 and retired from that post in 2005. He is now engaged in writing and organizing exhibitions on a wide variety of subjects. His publications include monographs on painters, catalogues of museum collections and surveys of the Royal Collection, as well as In Search of a Masterpiece: An Art Lovers Guide to Great Britain and Ireland, Edgar Degas: Drawings and Pastels and Paul Czanne: Drawings and Watercolours.

See all

Other titles by Christopher Lloyd

See all

Other titles from Thames & Hudson Ltd