Japan Journeys: Famous Woodblock Prints of Cultural Sights in Japan
By (Author) Andreas Marks
Tuttle Publishing
Tuttle Publishing
28th April 2015
15th May 2015
United States
General
Non Fiction
Prints and printmaking
769.952
Hardback
168
Width 203mm, Height 203mm
765g
From Mount Fuji to the temples of Kyoto, Japan Journeys offers a uniqueperspective on the country's most famous travel destinations. Art historianAndreas Marks has gathered together approximately two hundred Japanesewoodblock prints depicting scenic spots and cultural icons that still delight visitorstoday. Many of the prints are by masters such as Utagawa Hiroshige, KitagawaUtamaro, and Utagawa Kunisada, and currently hang in prestigious galleries andmuseums worldwide. Katsuhika Hokusai, the artform's most celebrated artist, isalso well represented, with many prints from his "Fifty-three Stations of theTokaido Road" series and "Thirty-six Views of Mount Fuji" series, including hisworld-renowned "Great Wave" print.
In addition to prints showcasing Japan's natural beauty, Marks' carefully curatedselection depicts roads and railways; favourite pastimes, such as blossom viewingand attending festivals; beloved entertainment, such as kabuki theatre; thefashions they wore, and the food they ate.
"The meticulous organization of information notwithstanding, it is the prints which are the chief pleasure of the book: 523 prints that bring to life a Japan of heroic tales, beautiful women, ghosts, warriors, demons, and spring cherry blossoms. The exuberance of color, motion, and expression, all carefully arranged, make this a book for scholars and browsers, serious collectors, and hedonists alike." --ForeWord Reviews
"Marks's (director & chief curator, Clark Ctr. for Japanese Art) clear, informative text, while valuable for scholars beginning research, also remains accessible to the average reader. With excellent production values and a modest price, this volume is recommended for all libraries, academic and public." --Library Journal
"recommended for arts holdings and collections strong in Japanese culture alike." --Midwest Book Review
Dr. Andreas Marks is the Head of the Japanese and Korean Art Department and Director of the Clark Center at the Minneapolis Institute of Arts. From 2008 to 2013 he was the Director and Chief Curator of the Clark Center for Japanese Art and Culture in California. Before coming to the U.S., he was the Managing Director of an international exhibition and fair organizer based in Germany with branches in Calif., the U.K., Australia, and China. He has a master's degree in East Asian Art History from the University of Bonn, and a Ph.D. from Leiden University in the Netherlands.
At locations like the Berkeley Museum of Art, Detroit Institute of Arts, Honolulu Museum of Art, Minneapolis Institute of Arts, San Antonio Museum of Art, and San Diego Museum of Art, Dr. Marks has curated and co-curated 14 exhibitions on various aspects of Japanese art including paintings, prints, ceramics, weaponry, as well as works of bamboo.
Amongst others, he is the author of Japanese Woodblock Prints: Artists, Publishers and Masterworks, 1680-1900, Genji's World in Japanese Woodblock Prints, and Kunisada's Tokaido: Riddles in Japanese Woodblock Prints. His Publishers of Japanese Prints: A Compendium, is the first comprehensive reference work on print publishers from the 1650s to 1990s. In June 2014, he received the annual Award of the International Ukiyo-e Society in recognition of his research and publications. He is currently working on his new exhibition and catalog Seven Masters: 20th-century Japanese Woodblock Prints from the Wells Collection that will be shown at the Minneapolis Institute of Arts in fall of 2015.