Marcel Duchamp and the Art of Life
By (Author) Jacquelynn Baas
MIT Press Ltd
MIT Press
19th November 2019
United States
General
Non Fiction
709.2
Hardback
400
Width 178mm, Height 229mm, Spine 29mm
A groundbreaking reading of Duchamp's work as informed by Asian "esoterism, " energetic spiritual practices identifying creative energy with the erotic impulse.Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, "If you wish, my art would be that of living- each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral." In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian "esoterism, " energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit tant donnes- 1 la chute d'eau 2 le gaz d'eclairage, (Given- 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.
Jacquelynn Baas is Director Emeritus at the University of California's Berkeley Art Museum and Pacific Film Archive. She is the author of Smile of the Buddha- Eastern Philosophy and Western Art from Monet to Today.