Michelangelos Design Principles, Particularly in Relation to Those of Raphael

(Hardback)

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The first English translation of Erwin Panofsky's long-lost work on Michelangelo In 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo-originally

Reviews

"Eloquently translated. . . This is a deeply moving book about a deeply moving artist. . . . Panofskys analyses carry compelling explanatory power because they are rooted in sensitive observation. . . . [The] presentation offered here takes the readers closer to Michelangelo the artist. We acutely feel the engagement behind the methodology"---Matthias Wivel, The Burlington Magazine
"[Gerda Panofskys] invaluable, sixty-five page introduction provides a fascinating account of Panofskys life and career and his intellectual trajectory, with special regard to his engagement with Michelangelo studies and his gradual disengagement from that early passion, especially after his move to the United States. . . . Written about two of the most significant artists of all time, Panofskys Michelangelos Design Principles offers us a welcome opportunity to observe the maturing of one of the great figures of Art and Intellectual History."---William E. Wallace, Journal of Art Historiography

Author Bio

Erwin Panofsky (18921968) was one of the most eminent art historians of the twentieth century. His many books include Early Netherlandish Painting and The Life and Art of Albrecht Drer (Princeton). Gerda Panofsky is professor emerita of art history at Temple University. She has published on Michelangelo and prepared the revised and enlarged second edition of Erwin Panofsky's Abbot Suger on the Abbey Church of St.-Denis and Its Art Treasures (Princeton).