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Modern and Contemporary Korean Art in Context (1950 - Now)

(Paperback)

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Publishing Details

Full Title:

Modern and Contemporary Korean Art in Context (1950 - Now)

Contributors:

By (Author) Jung-Sil Lee
By (author) Dong-Yeon Koh

ISBN:

9781350446861

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

17th July 2025

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:

Physical Properties

Physical Format:

Paperback

Number of Pages:

352

Dimensions:

Width 188mm, Height 246mm, Spine 24mm

Weight:

1000g

Description

Including 120 full-colour images throughout, this is a vividly illustrated, in-depth and up-to-date introduction to the world of Korean art from 1950 to the present day. The book covers such as topics as: Historical, political and social contexts from the military dictatorship through the post-Olympics period to the digital age; Major artistic movements, including: Modernist, New Wave, Avant Garde and feminist art; Key forms, from traditional ink painting to public art, architecture and digital art; Artistic institutions, from established galleries and the art market to artists collectives and alternative spaces; Global contexts, including Korean American, Korean diaspora and and Korean adopted artists. Including an appendix of key art institutions, major exhibitions and important artists, this book is an essential introduction and reference guide to Korean art and its global impact.

Author Bio

Jung-Sil Lee is Professor at Maryland Institute College of Art, and George Washington University, USA. She curated extensive art exhibitions including Collateral Damage in John Jay College of Criminal Justice (CUNY, New York, 2016) and Truth: Promise for Peace traveling exhibition (2017) sponsored by Korean Minster of Gender Equality and Family. Dong-Yeon Koh is Adjunct Lecturer at Seoul National University, Korea. Koh is the author of nine books in English and in Korean including The Korean War and Postmemory Generation (2021), The Condition of Art Criticism (2019), and Soft-power: The Popularization Artistic Practices in East Asian Art (2018).

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